The migration of musical film: from ethnic margins to American mainstream

Acknowledgments

Introduction: There's No Place Like Home

1. The Shtetls, Shund, and Shows of Musicals

2. The Musicals of Black Folk: Race Cinema and the Black-Cast Musicals of 1929

3. "Not a Musical in Any Sense of the Word": Allá en el Rancho Grande Crosses the Border

4. "Our Home Town": The Hollywood Folk Musical

5. "Tahiti, Rome, and Mason City, Iowa": Musical Migrants in the Postwar Era

6. "Ease on Down the Road": Folk Musicals of the Ethnic Revival

7. Home Is Where the Audience Is: The Sing-Along 185 Conclusion: Beyond the Rainbow

Notes

Bibliography

Index.