Introductory remarks, [by] A. T. Davison.
The raison d'être of criticism in the arts, by E. M. Forster.
The scope of music criticism, by R. Sessions.
The critical nature of a work of art, by E. Wind.
The performer as critic, by O. Samaroff.
The art of judging music, by V. Thomson.
Consequences of the recorded performance, by O. Kinkeldey.
The equipment of the musical journalist, by P. H. Lang.
The future of musical patronage in America, by H. Cairns.