Abundantly more: the theological promise of the arts in a reductionist world

Part 1. Pressures of containment

1. Reductive pressures

2. The arts under pressure

3. A scriptural interruption: Seeing and not seeing (John 9:1-34)

4. Reductionism's peculiarities

5. A scriptural interruption: Living water and overflow (John 4:1-15)

Part 2. Counterpressures

6. Art's generativity

7. God's uncontainable pressure

8. God's own "ex-pressure"

Part 3. Convergences

9. Resonances and reverberations

10. Open feast: On Michelangelo Merisi da Caravaggio's Supper at Emmaus (1601).